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Showing 40 posts tagged Film
Re-writes made by Fans (The Future of Storytelling has Arrived)
From games to feature films are going through major re-writes. Fans around the globe are demanding a new ending to this year “Blockbuster” game Mass Effect 3. Also, they are stunned by Michael Bay’s presentation about his next cinematic endeavor Teenage Mutant Ninja Turtles (PST… there are not mutants anymore… they are aliens). Is this a new wave that can affect filmmaking, gaming, comics, and other popular media?
This is a very insightful article about how much fans can and cannot affect your piece, in both good and bad ways. Should you listen to your audience (if you have a popular property in your hands)
– I actually contend that commercial storytelling across all media should increasingly incorporate community feedback as an essential element in a project’s success. Fan influence might alter a project by 5% or 60%. It’s all in the balance of how fan feedback is utilized in the process.
Read more about it at deviantart. Join this discussion with other artists and read quotes from popular writers in the industry of comics, film, and video games.
The End of Film is Nigh? Kodak File for Chapter 11!
Filmmakers and Photographer were shaken but not surprised by the news of Kodak filing for bankruptcy. This company have evolved photography and cinema in unison over a century. Now the Kodak Eastman co. filed for chapter 11 protection after 132 years of business. Kodak is suffering one of the most common mistakes that other companies have done… not to adapt in the digital market. The surprising factor is that Kodak have survived this long without the consumer market. However, this company’s future might not look as bright as they were in the 20th century this company was trusted with most of our precious possession… memories. Is this the end of film? Is this going to be the end of Kodak Film Roll era?
The Adventures and Misadventures of a Film Student: Working with Actors pt. 1
Whether we like it or not, filmmaking is a collaborative effort. I strongly believe that great filmmakers are those who know how to work with people. Because whoever you are on set whether you’re the director, cinematographer, producer, etc… there’s a constant communication and exchange of information going on between the different departments.
But one of the most important relationships on set is between the director and the cast.
First things first: Casting. I’ve never actually gone to a proper casting session before so I just went with the flow of it. There are a couple of things that I have learned from the casting session.
1. It’s good to introduce yourself nicely to the people auditioning even before the casting session starts. It’s important that they know who you are so both parties are comfortable with each other.
2. Take notes. It’s always good to have notes on the cast. Especially if you’re having hundreds of talents coming in and out.
3. Look through the monitor. One mistake I did was I had my eye on the cast and not seeing what the camera was seeing. Believe it or not, some people just look different on camera.
Look out for part 2 of this article!
Post written by Paulo Reyes | Follow Him on Twitter.
What would you like to read in an HDSLR E-Book Guide?
That is the question of this week. We are working on a HDSLR Guide Ebook. What do you want to read about?
We have these so far:
- ISO | ASA
- Aperture
- Frame Rate
- Sensor Compression
- Rig System
- Post-Production workflow.
Anything else we might have forgotten? Or whatever you really want to read about. We are taking any suggestion for this ebook. Your two cents can be really helpful to this book. Our goal is to make AWSY’s ebook different and better than any other other HDSLR ebook in the net.
This is the Graphics for The Haunt Hunter web show. However, this could be just a small teaser.
Give it a look!
Great Read!
The audition went great! I would like to give thanks to everyone that showed up. Also, I would like to give thanks to my crew mates! This is going to be the start for a great web show. Now the selection of cast begins.
Lite Panels wants to Hinder LED Imports
WHAT!? The company Lite Panels has filed a complaint with the U.S. International Trade Commission against other manufacturers of LED light panels from Asia and the U.S. The complaint states that these companies are importing patented Lite Panels technology without proper licencing. This is a small list of companies mentioned in the complaint: Flolight, LLC of CA; Prompter People, Inc. of CA; IKAN Corporation of TX; Advanced Business Computer Services, LLC, d/b/a Cool Lights USA of NV; Elation Lighting, Inc. of CA; Fotodiox Inc. of IL; Fuzhou F&V Photographic Equipment Co., Ltd. of China; to mention a few.
This could open a heated debate about patent law in the U.S. As an aspiring filmmaker and media creator - I truly believe this is a hard blow to producers, or even hobbyists, who are trying to scale down their budgets by using cheaper alternatives. Not only are these equipment affordable, they are capable of lighting scenes without Hollywood’s piggy bank. I know for certain that there are a lot of shooters out there who are migrating to use these cheaper alternatives for LED lighting equipment.
We ask: Will these companies pay licensing fees to LitePanels or will they dissolve their LED light products for photo and video indefinitely in the U.S? Could this bring forth a new wave of DIY lower budget production equipment in the U.S?
Lite Panels, Inc was not available for comment.
Do you want to read more about the complaints then visit this document. Read more about LitePanels patent infringement complaint here. If want to learn more about this from other fellow blog writers then visit these other sites:
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http://www.nextwavedv.com/litepanels-is-trying-to-block-the-import-of-led-photo-and-video-lighting-in-the-us/
Post written by: Victor Gregory | victor-gregory.com
Contributors!
We are still looking for aspiring and working filmmakers to contribute articles to Are We Shooting Yet. Send us an email at help[at]areweshootingyet.net and tell us why do you want to join us?
How-To Make a Video Friendly Photography Lenses
⬰Gear, ⬰Rigs, ⬰Camera and ⬰Lenses. Now what should you do after? Let’s say you ended up like me. Possibly got everything, including a new follow focus and possibly a not so good focus gear that can actually focus one’s shot for a small amount of time. Is there any way to fix this issue? I reflected on what might happen on my next upcoming project. There’s going to be a lot steady shots, plus a lot of rack focusing, and I will be needing some external light source. I need to put this together to get myself ready. This should be my next small side project before Ghost Lab Whisperer Incorporated begins. I need to convert my lenses into a more video friendly use for my upcoming production. As for work-flow wise and to keep myself in control throughout the whole production.
Fear not, my dearly followers:
Caleb Pike from DSLR Video Shooter has made a couple of videos explaining on how to future proof your photography lenses. Turning those lenses into a full flesh video lens. Which it will work for stills and videos.
Also, he continues explaining more in his second video on how to prepare your lenses:
Got links?
- Lens Gear
- Set up Rings
- Lens Cap
I will be posting new photos on how the conversion is progressing. Also, will showcase a small video review with the Lens Gear in a week or two! Want to learn more from Caleb Pike? Go here. Got some more tips? Please leave us your tips on how to make your camera lens in to a video friendly lens in our Comment section. Post written by: Victor Gregory | http://victor-gregory.com
Novacut: Video Editing and Online Collaboration!?
The future of video editors may soon be brighter. Imagine software that can cut, grade, audio sync, and allow you to collaborate with other editors around the globe who can also share and edit video! What if I tell you there is such a software under-wrap that can do all these by using HTML5?! This open-source software is called NOVACUT.
Why Should I Care for NovaCut?
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Real-Time Collaboration.
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Open-Software.
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Support HDSLR’s Formats! (.MOV among other codecs in the future.)
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Footage can be in a local computer or in the clouds.
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Support for 64bit, 32bit and ARM.
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Multi Camera Feature.
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Think of it as the Google Docs of Video Editing.
This is our new latest Freebie Thursday. This is our shot log whenever you are shooting a short film, film or a commercial always have this form with you on set. The shot log can be made either as the shoot progresses or after the shoot finishes. If possible, it really helps to do the shot log during the shoot — it will be easier and save you time later.
There are no hard and fast rules regarding the format of the shot log. But do remember to follow our Creative Commons Attribution rules.
The Adventures and Misadventures of a Film Student
(Making a good first impression)
Yes, we’ve all heard it before. Your mom probably told you this before you started off in a new school or something but we all know that making a good first impression is very important. The first time you meet your schoolmates, lecturers or even coworkers is crucial. Why? Well to start off, you will be working (whether you like it or not) with this group of people for the next 2 – 3 or more years. Working with them could either make or break you and your work. So as soon as you meet them, ensure that the good vibes are already flowing.
How-To Make A Kick-ASS Demo Reel
First of all, what is a demo reel and what is it for? A Demo-Reel is a video presentation that showcases your work to a potential employer or anybody that is interested in watching your work .The idea is to help your employer see what can you contribute to that role. A reel should not just be a collage of images back to back for a minute or two. It should be a statement of your craftsmanship as an editor, cinematographer, or any other production role. But how can I make a kick-ass demo reel that can land me a job and not to fall into the MEH pile? We will show some examples of kick-ass demo-reels and others that are not so great. Always remember use the KISS system (Keep It Simple Stupid).
Think of your demo-reel as if it were a TV commercial of yourself to convince a potential employer to hire you. Before you start putting together the footage for your demo-reel, put yourself in the shoes of your potential employer. Do not bombard them with footage that showcases any other role than that to which you are applying. Remember, try to have a demo-reel that highlights your abilities that are relevant to the job your applying for.
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